A tragic ending for the creator of my favorite hero, Le Petit Prince. What kind of guilt you carry around all these years, knowing that you are the villain who killed Antoine de Saint-Exupery? War is never a good thing.
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The Tragic Ending of Le Petit Prince's Writer
Diposting oleh Unknown on Jumat, 28 Maret 2008
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Lost in Louvre
Diposting oleh Unknown

Louvre is not a museum. It is what people use to describe it, to explain the vastness of it. But I don’t think it is the right words to describe the experiences when you are in it. It is the Mecca for art, architecture and civilization aficionado. A pilgrimage for me. The Holy Land of Civilization. However there are some obstacles in my way. One, I am direction blind. I would never be able to tell apart which is is west or which is east. You can put a life-size map in front of me and still I will be lost. And I’m in Louvre (I am still amazed that I successfully went through it alive),one of the largest museum in the world.
Two, is the mob. Horribly buzzing, crazily blitzing and suffocatingly gathered in one huge annoying group that takes up the whole place kind of mob. I literally had to poke and push to be able to see the masterpieces. Most of them are herded sleep walkingly by their guide (usually attired in bright blinding color and armed with flags and whistle) from one masterpiece to another, nodding their head harmoniously when the cheerful guide explained to them about certain sculpture. The same guide (smile tatooed permanently) also works as instant photographer for the group since a lot of people apparently want to have their picture taken beside Venus de Milo with the same pose (Winston Churchill’s “V” fingers and huge grin). Quite a spectacle for this sapimalas who loves to watch people in secret.



The sculptural celebrity was also the most crowded (and it haven’t even reached noon!) such as Venus de Milo whose unarmed yet still beautiful, Winged Victory whose headless and actually could just become obscure but somehow managed to becomes popular (a dramatic position on top of the staircase and perfectly angled skylight also helps).


As for the paintings, all I could say is it was a blur of colors. I would love to tell you a smart sentences with a sharp views and knowledging remarks but to tell you the truth, I was lost. Too many of good things is bad for you. I remember some paintings far more than the others in that visual war between masterpieces. Madonna of the Rocks (damn you, Dan Brown), Rubens, Rembrandts and those famous Renaissance masters. It was too much for this poor brain and two eyes. I wouldn’t mind to have extra pair of eyes at that moment. So I was walking in daze with mouth hanging open all the way through many galleries.
Suddenly in front of me was The Painting. The Monalisa. And it was a seriously dissapointing appearance. I knew it would be small and but I didn’ think it would be that small or that protected. It seems silly to protect such a petit painting with such a great security (and to understand why someone wanted to throw acid into Monalisa’s face is beyond me). From all Da Vinci’s masterpieces, why it has to be this smirking woman that becomes really popular? Personally, I think Monalisa is overrated. There, I say it. Feel free to comment. This is the closest distance I got to Monalisa (No wonder you keep smirking, Signora!):

After asking two nice museum staff (they can speak English! Ces’t magnifique!) about the way out (at this point I just couldn't bring myself to take a look at the crumpled map in my hand), I managed to find my way out to the garden I once saw in a book (Louvre: Masterpieces of I.M.Pei). I didn’t even remember to take a peek in the museum shop. I was that tired. So I went out to the famous Pyramid and found a seat on the fountain. I found faces similar to mine. Dazed and exhausted.
Total hours spent in Louvre: 4 hours 25 minutes. Unforgettable. Now is the time for food. Cheap food.
How to Survive The European Museums
Diposting oleh Unknown on Rabu, 19 Maret 2008
1.NEVER ever bring your backpack or unfoldable umbrella or walking pogo stick or chihuahua in Gucci bag or gigantic handbag nor any other carry-around thingy into museum unless you are ready to put it in the cloakroom (which I hate to do since it takes quite a while and also sometimes you have to pay for that)
2. Invest in museum card. Available in most European countries with popular museums. It save a lot of money and time since you don’t have to queue. Oh and it also made you some kind of VIP celebrity visitor with queuing herd of people staring envily at you while you strut into ‘special entrance’. It felt good when I did that in Musee d’Orsay ;-)
3. Remember in mind to come earlier if you have a plan for visiting museum in Europe. It ‘s a big business, people! Unlike our museum in Motherland where there are times when you are the only one visiting and you felt all those stony Hindu deity statues staring at you and…oh, nevermind. Just arrive early if you hate to queue or find an alternative entrance (for instance do not ever enter via the Pyramid in Louvre where the queue is always dragonishly and agonizingly long. Unless, of course, you want to pull a Robert Langdon-running-from-policemen stunt in front of blitzing Japanese tourists)
4. Check out the internet if they have a special program available like guided tour or free entrance (For Louvre, it’s every Friday night, special for student). And make sure to write down the opening hours. The last thing you want is to go somewhere, queuing for hours until you know the whole life story of people in front of you and rejected by a stone-faced guard right in front of your sorry nose. It happened. A lot.
5. Wave your student card everywhere you pull-out your wallet. Never hurt to ask. As an Asian (specifically a poor Asian student with minimum euros and maximum yearning) I suggest you to smile a lot and look as young as possible (no red lipstic and sophisticated LV bag, fake or not) since most Europeans are lost in telling how old you are. I passed for under-age museum card in Paris after I unshamedly admit I was a 16 years old. All’s fair in love, war and shoe-string traveling, baby.
6. Give yourself a break of museum. Don’t insist to see art museums in a row (like I did) because in the end it would seem like a blurred view and not a single precious memory of a painting that takes your breath away. Plus it’s tiring and all you want to do in the end of the day is staring at people with hollow gaze and feel your brain is outside your head (like I felt).
7. NEVER take a picture of yourself in narcisstic pose in front of hundred years old painting. You should see, enjoy and study it; not bragging about it. I see a mass of people did that in Louvre. Taking a picture in front of Madonna of The Rocks or flexi-glassed Monalisa seems to be all the rage in Louvre. Merci Monsieur Brown for ruining the authentic Louvre experience.
8. Always read the brochure. It’s printed not just for souvenir to show folks back home or to tell your grandchildren many years to come, but to give you direction and give hightlight to certain section of exhibtion you interested the most. If you have little time to spend or the museum just not meant for one day visit or you are with tag-along companion who keep asking how long you need to stare at Picasso’s masterpiece which his or her 5 year old brother can make, that’s the only thing to do.
And as Master Yoda always tell Anakin Skywalker, May the Force be with you!
2. Invest in museum card. Available in most European countries with popular museums. It save a lot of money and time since you don’t have to queue. Oh and it also made you some kind of VIP celebrity visitor with queuing herd of people staring envily at you while you strut into ‘special entrance’. It felt good when I did that in Musee d’Orsay ;-)
3. Remember in mind to come earlier if you have a plan for visiting museum in Europe. It ‘s a big business, people! Unlike our museum in Motherland where there are times when you are the only one visiting and you felt all those stony Hindu deity statues staring at you and…oh, nevermind. Just arrive early if you hate to queue or find an alternative entrance (for instance do not ever enter via the Pyramid in Louvre where the queue is always dragonishly and agonizingly long. Unless, of course, you want to pull a Robert Langdon-running-from-policemen stunt in front of blitzing Japanese tourists)
4. Check out the internet if they have a special program available like guided tour or free entrance (For Louvre, it’s every Friday night, special for student). And make sure to write down the opening hours. The last thing you want is to go somewhere, queuing for hours until you know the whole life story of people in front of you and rejected by a stone-faced guard right in front of your sorry nose. It happened. A lot.
5. Wave your student card everywhere you pull-out your wallet. Never hurt to ask. As an Asian (specifically a poor Asian student with minimum euros and maximum yearning) I suggest you to smile a lot and look as young as possible (no red lipstic and sophisticated LV bag, fake or not) since most Europeans are lost in telling how old you are. I passed for under-age museum card in Paris after I unshamedly admit I was a 16 years old. All’s fair in love, war and shoe-string traveling, baby.
6. Give yourself a break of museum. Don’t insist to see art museums in a row (like I did) because in the end it would seem like a blurred view and not a single precious memory of a painting that takes your breath away. Plus it’s tiring and all you want to do in the end of the day is staring at people with hollow gaze and feel your brain is outside your head (like I felt).
7. NEVER take a picture of yourself in narcisstic pose in front of hundred years old painting. You should see, enjoy and study it; not bragging about it. I see a mass of people did that in Louvre. Taking a picture in front of Madonna of The Rocks or flexi-glassed Monalisa seems to be all the rage in Louvre. Merci Monsieur Brown for ruining the authentic Louvre experience.
8. Always read the brochure. It’s printed not just for souvenir to show folks back home or to tell your grandchildren many years to come, but to give you direction and give hightlight to certain section of exhibtion you interested the most. If you have little time to spend or the museum just not meant for one day visit or you are with tag-along companion who keep asking how long you need to stare at Picasso’s masterpiece which his or her 5 year old brother can make, that’s the only thing to do.
And as Master Yoda always tell Anakin Skywalker, May the Force be with you!